Most financial consultants wouldn´t advice you to invest in arts and antiques, unless you are familiar with it and you´d only invest a small proportion of your portfolio.
Fine and antique Asian arts are considered as long term investments. And whether or not profits are gained in the long run, is still not garanteed for any objects.
But on the contrary, there are tremendous wins for some Asian art objects. Gilt Buddhist bronzes acquired in the 80ies or 90ies might be sold for prices considerably higher today. Price ranges from ten to sixty thousand Euros for the same object are even possible within one year in two different auctions.
Objects with highly increasing prices are highlights
within masses of collectables and antiques thrown on the market in recent years.
Here are some examples of how art experts and collectors anticipate price developments in order to gain profits from their investments:
- An expert aquires and deepens knowledge about a specific area of expertise. This enables him or her to consider any buying or selling activity on a wider basis of experience and knowledge. He or she can decide about achievable prices for art objects and therefore predict price races in auctions. Such an expert is able to gain profits from his or her advanced knowledge about objects and prices.
- Collectors focus on special groups of objects. It is easy to find any good looking single piece. But it is hard to find a collection of quality objects. Some collectors try to anticipate trends and to be the first one to collect specific groups of objects. In some cases, collectors even publish catalogues about their collection or lend pieces to museums. But beware, defining a new field of collection is a costly process in terms of times and money.
- Another strategy is to collect art objects at a specific quality and price level. This was successfully shown by the British Rail Pension Fund, who reached an average rate of return of 11,8% p.a. in a timespan of 23 years. The investment strategy was defined by a simple rule: Get the very top level objects available on the market – if they are the best today, they will certainly rise in future. But even for small investors, this strategy is fairly attractive: Get the best object, which you can get for the amount of money you´d want to spend.
- Acquire a collection at once. This strategy can be very successful, but it requires patience and market knowledge. The buyer looks for opportunities, in which complete collections are offered at one time, for example at auctions. The normal market reaction would be a selective buying of the best pieces out of the collection. If a buyer acquires every single pieces of the collection, the good quality ones as well as the lower quality ones, an increasing of prices is psychologically stimulated. The fact that the collection was completely sold, will stimulate marked demand. If the same collection is offered again at a later point, maybe in another setting at another place, it will be considered as highly desireable.
- Go with economic development. This simple rule emphasises on the fact, that people from economically rising countries increasingly spend money for their cultural relics. Japan and China are the best examples for this. At times, when Japanese economy was on top, Japanese arts and antiques were sold for considerably high prices all over the world. But since Japan is faced with economic threads, Japanese collectors stopped investing in their art objects. Therefore, prices for Japanese antiques decreased. On the contrary, Chinese art prices increased as much as Chinese economy rose and made more and more people rich, who naturally started to spread their investments.
Pictures courtesy of Wikimedia Commons.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
NEW CITY ART FAIR Osaka will open its doors from April 24th to April 28th at Hankyu Umeda Main Store 9F Hankyu Umeda Gallery in Osaka, Japan.
This exhibition consists not of solo artists,
but of the work selected by various art galleries.
On a mission to deliver contemporary Japanese art to art lovers around the world, NEW CITY ART FAIR first opened its doors to the public in New York City in March 2012. 35,000 people crowded together for its second volume held in Taipei within a large scale Japanese culture event called “roomsLINK” in November 2012. It revealed the great interest in Japanese creatives. The third volume was held back in New York in March 2013 gradually infiltrating into the New York’ s Armory Arts Week scene.
In April 2013, NEW CITY ART FAIR w ill kick off its fourth volume “ NEW CITY ART FAIR Osaka” at Hankyu Umeda Main Store in Osaka, Japan. It will attract art collectors from throughout Asia, and also develop the art market inside Japan. NEW CITY ART FAIR continues to approach those who are not familiar with contemporary art. NEW CITY ART
FAIR will continue to travel around major cities in the world to deliver contemporary Japanese art.
Event Name: NEW CITY ART FAIR
Location: Hankyu Umeda Gallery, 9F (Osaka, Japan)
Dates: April 24-28, 2013 (April 24th is by invitation only)
Organizer: H.P. FRANCE S.A.
Admission: Free
Official Website:
www.newcityartfair.com/
Pictures courtesy of New City Art Fair.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
In today´s technological environment one easily beliefs business columnists who optimistically promote the predictability of art price developments.
If technology makes arts and antiques finally comparable,
their price developments will be predictable.
Art price databases are generally accepted because of a general believe in technical means. Even in China, a country where reliable common standards often are hardly realized, more and more efforts are made to get reliable data about art sales prices.
Most people believe, that if it is possible to technically analyse stock market developments, the same should be possible with art and antiques. The only thing that is required for technical analysis is comparability of art objects.
So how do you compare antique paintings, porcelains, works of art, jades, bronze sculptures etc. from different regions of Asia and different periods of time?
The answer is obvious: These objects have got to be described in ways, which make them comparable and usable in data bases. Once again, objects from cultural history are going to be pressed into digital data.
When that is done you might have a technical analysis of future price developments of say Kangxi blue and white porcelain bowls, then the world of arts and antiques will be finally interesting for technical money investors.
What happens to commodity markets at the moment will then happen to art objects in general. They will become objects of capital investment. There will certainly be a recognizable impact of technical developments on art prices for Asian antiques. In some regards, this is already observable in the areas of oil paintings and contemporary arts.
Pictures courtesy of Till Spurny.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
“The energy and traffic was considerably greater than 2012, which was already a strong year for us,” said Suneet Kapoor of the Kapoor Galleries in New York. “I noticed some new museums visiting, which have not done so in the past, such as the Detroit Institute of Arts and the Korean National Museum, as well as the regulars such as the Metropolitan Museum of Art, Brooklyn Museum, Newark Museum, the Art Institute of Chicago, Museum of Fine Arts Boston, Dallas Museum of Art and some of the University Museums: Lowe Museum at the University of Miami, Smart Museum at University of Chicago, Yale University Art Gallery. We also noticed an uptick in European collectors as well, on the rise over the past two years, reinforcing New York as a premier destination for Asian art.”
Many happy comments from sellers at Asia Week NY 2013
“I had a record-breaking week which surpassed all my expectations,” said Joan B. Mirviss of her eponymous gallery. “The responses from both the museum world and the savvy collectors have been astonishing.”
James Lally of J. J. Lally & Co. in New York said: “Our special exhibition of Song Dynasty Ceramics was very well received… The number of serious collectors and curators and Asian art aficionados passing through our gallery during Asia Week 2013 was significantly higher than last year.”
Erik Schiess of the Portland, Oregon-based Jadestone, reported that he developed new relationships and met new museum clients as well. “We sold most of our top items. Approximately 2/3 of the sales were to mainland Chinese buyers and the rest were to European and American clients.”
“The energy and enthusiasm is more intense than last year,” said Katherine Martin of Scholten Japanese Art in New York. “I had visitors almost non-stop throughout the week.”
“We had an amazing week selling more items this year than ever before,” said Michael C. Hughes from New York.
Brendan Lynch, of the London-based Oliver Forge & Brendan Lynch, reported that a number of institutions bought and reserved Indian miniature paintings, including The British Library, The Art Institute of Chicago, and Herbert F. Johnson Museum of Art at Cornell University. “We had more curators returning to visit than for the past two years with our private buyers from America and Europe,” said Lynch.
“I was delighted to see hundreds of past, current and future clients, as well as academics and museum curators from all over the country take great interest in the exhibition and catalog.” said Eric Zetterquist of Zetterquist Galleries, in New York.
“The response to my show has been enormous and extremely positive,” said first-time participant Dr. Robert R. Bigler, from Ruschlikon, Switzerland.
“We had one of the best Asia Weeks in years with sales across the board from $7,500 to over $3M,” said Carlton Rochell, whose gallery is based in New York.
“I was very impressed with the energy of this year’s Asia Week New York,” said Carlo Cristi. “There were many more international visitors than in the past.”
Marsha Vargas, of the Xanadu Gallery in San Francisco, was “very pleased with the comments and requests from several museums.”
New York contemporary Chinese painting specialist Martha Sutherland reported that two Hsia I-fu ink monochrome landscapes were sold, “with many other sales from American museums.”
John Siudmak, from London, explained that “this was a very good year, with more museum curators visiting the gallery than in prior seasons.”
Next Asia Week New York will be held March 14 through 22, 2014.
Images courtesy of Marylin White.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
A life-size self-sculpture made entirely from rice, by Japanese artist Saeri Kiritani has been selected as one of the winners in the Outwin Boochever Portrait Competition. The competition winners’ exhibit runs from March 23rd, 2013 to February 23rd, 2014 at the
Smithsonian Institution’s National Portrait Gallery.
Constructed from over 1 million grains of glued rice
Over a million grains of rice went into the 100 pound, five-foot high artwork. Even its hair is made from rice noodles. It is believed to be the largest artwork ever made out of rice.
The Outwin Boochever Portrait Competition celebrates ‘excellence and innovation’ in portraiture. Out of more than 3,000 entries, just 48 were selected for the year-long exhibition.
Wendy Wick Reaves, interim director of the museum, says “I think that this installation will dazzle people with the wide variety of materials used to make portraits.”
Ms. Kiritani (www.kiritani.com), who is originally from Kanazawa, Japan, and currently lives in New York City, made the sculpture out of rice because it is such a big part of her life. “I grew up in Japan, where rice was the biggest part of my diet. It still is. You could say that the cells of my body are made mostly from rice! Also, rice is something that many people in the U.S., and elsewhere, associate with Asian people. Rice is a part of my self-identity and part of how others identify me. So, it made sense that my self-portrait sculpture should be made with rice.”
Museum and web visitors can vote for their favorite pieces, including Ms. Kiritani’s sculpture, by visiting the gallery’s website:
http://portraitcompetition.si.edu/
“100 Pounds of Rice”
Constructed from over 1 million grains of glued rice
By Saeri Kiritani
At the Smithsonian Institution National Portrait Gallery, Washington, D.C.
March 23rd, 2013 through February 23rd, 2014
Images courtesy of Paul Roberts
Creative Artist Media
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
The island6 art collective (Liu Dao 六岛) is a non-profit art collective creating digital contemporary art with a collaborative ethos.
Exhibition opening in Hongkong – vernissage on March 28th
Located in the historic district of Sheung Wan, island6 Hong Kong is propitiously situated on No. 1 New Street, an intersection that marries old and new elements of the area.
island6 Hong Kong will follow in the footsteps of her big sister in Shanghai in showing cutting-edge new media art that explores contemporary issues in Asia through multimedia, interactive artworks.
In its signature style of fusing the traditional with the modern, the artworks on display will involve the use of LED, interactive components, photography, video, neon, sculpture and post-contemporary painting imagery.
Upcoming Exhibition:
“Need. Want. Hunt”
需. 欲. 觅.
island6 Hong Kong
G/F, No. 1 New Street
Sheung Wan, Hong Kong SAR
Postal code: 999077
六島,上環新街一號(近皇后大道西)
Go to: island6 art collective an enjoy!
Images courtesy of island6 art collective.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
The Walters Art Museum in Baltimore, USA, doesn´t have the size and publicity like the large museums in New York, London or Paris. But it has got an innovative approach regarding the use of online media in relation to its collection. Like many international art museums, Walters also put its collection data base online and presents the exhibits with pictures and short descriptions.
What are online databases of art museums good for?
On museum´s homepages, you often can search their collections, but there is no possibility to decide about relevance. The general visitor will not be pleased, if searching through thousands of objects and not knowing, which one is interesting, important or relevant for him.
There is a need for relevance definition services for online databases. Museums provide online tours, online curating or specific contextual frameworks to help navigate through their online collections.
The Walters Art Museum in Baltimore is forerunning in this field. Even if it doesn´t provide large online stories, audio and video tours, like other museums, it stands out, because it publishes all antique objects under the so called the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License. This means, that images of art objects are allowed to circulate.
Walters Art Museum offers different “ways to browse” their collection, as they call it. You can navigate through objects according to their categories, dates, mediums and so forth, but also filter with “museum locations” or “community”. The latter shows some arrangements from registered users of their website, not unlike lists of favorite exhibits.
All this isn´t really the big solution yet, but these are examples of trying to find new ways of relevance definitions for online art databases.
Of course, there are still further ideas needed, which help to make large collections of antique and modern arts accessible on museum´s internet sites.
Go to: The Walters Art Museum
Images courtesy of The Walters Art Museum.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
2P contemporary Art will be holding an exhibition from the 20th of March, 2013 to the 10th of April, 2013 with participating artists Tejal Shah, Erkka Nissinen, and Chen Zhou.
The exhibition will feature Tejal Shah’s video installation Between the Waves, which was previously shown at dOCUMENTA (13). If you are in Hong Kong, or will be traveling through Hong Kong, we would like you invite you to come to our opening on the 20th, or arrange an appointment during our exhibition period.
Feel free to direct inquires to miles.dugan@gmail.com for more information about the artists, exhibition, and interview opportunities.
My Dear, You Shouldn’t Believe in Fairytales
Tejal Shah, Erkka Nissinen and Chen Zhou
Curated by Angel Wong
Opening Reception: Wednesday, 20. March 2013, 6.30 – 8.30pm
20 March – 10 April 2013
2P Contemporary Art Gallery
Ground Floor, 23 Po Tuck Street ,Sai Ying Pun, Hong Kong
Gallery hours: Wed. – Sat. 13.00 – 19.00
Go to: www.2p-gallery.com
Images courtesy of 2P Contemporary Art Gallery.
Connect us on LinkedIn: Asianartblog on LinkedIn
Asia Week New York start off exhibition with Taiwanese contemporary artist A-Sun Wu:
A-Sun Wu from Taiwan adoptive home: Paris
Timed to coincide with Asia Week 2013 which takes place from March 15 – 23, Friedman & Vallois present exclusively and for the first time an exhibition, “Legends of South Pacific” by Taiwanese Paris & Taipei based artist A-Sun Wu. Running through April 20, the exhibition proposes to introduce the work of this renowned artist through his paintings, sculptures and ceramics.
On the occasion of his first childhood trip alongside his father in the heart of the Taiwanese forest, A-Sun Wu invented a very personal vernacular of myths and legends. This «world artist» who has experienced the Amazon Basin, Africa and the Pacific Islands as well as Asia has synthesized their civilizations and cultural traditions while processing the legacies of western cultural legacies. Indeed, Goya, de Kooning, Picasso and Duchamp clearly influence his oeuvre.
Wu’s forms and aesthetic evoke Outsider Art as well as Tribal Arts and Shamanism. In search of an earlier more gentle and innocent time, one of a happy childhood, his use of natural unprocessed materials (wood, bark, earth…) are rooted in a world where the organic reigns.
His painting whose brutal gestures join Expressionism recalls the celebration of primitive societies. A-Sun Wu’s ceramics remain inscribed in the memories of growing up in the Taiwanese countryside where Terra-cotta pots kept a lush and generous harvest. His art of fire is carrier of the duality of zoomorphic and anthropomorphic characters. Humanist and Universalist messenger, since 1995 Wu signs his works with a sun.
Exhibition: LEGENDS OF THE SOUTH PACIFIC
Opening night: March 14th, 4 pm – 8pm
15th March – 20th April 2013
FRIEDMAN & VALLOIS
27 East 67th Street
New York
NY 10065
Please also visit the artist´s website for more details:
A-Sun Wu
Images courtesy of A-Sun Wu.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
Most advices from passionate collectors emphasise on true love for the art object, when buying a piece of art. Listen to your heart and only buy something, if you are really faszinated and in love with the objects – and do not buy only because of monetarily reasons – That´s a basic advice from art collectors.
Art buyers gain buyer´s professionalization
Long-term art collectors become experts in their areas of collection. And the reason for this is not only a passion for arts and antiques.
A reason for the need of developing expertise in art market lies in the natural intransparency of art market itself.
One and the same piece of art might be valued and sold at different prices, if offered at different places or occasions. To survive on the market and to avoid loss of money, there is a fundamental necessity for any collector to gain expert knowledge and to specialize in certain fields of interest.
It´s an amazing fact, that the need for buyer´s professionalisation is not limited to art market segments with a high amount of possible fakes and reproductions, like some areas in Asian arts. This seems to account for any area of art collecting.
Images courtesy of Brockhaus Germany.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
This year´s spring auction sale in Hongkong is again going to show global luxury market trends. Christie´s Hongkong will conduct a set of high-end auctions in May 2013, which clearly indicates international luxury market development trends.
Art & antiques as high end luxury goods
The signifant composition of Christie´s spring auctions express a strong demand for luxury goods like watches, wines and jewellery in addition to contemporary Asian arts as well as Chinese paintings and antiques.
Christie´s Hongkong spring auction series will take place from 24th to 29th of May 2013. Within the scope of this auction setup, Chinese antiques and works of art as well as ceramics and classical paintings are presented as a special type of luxury goods.
The development trend of the Asian art market towards a luxury market is once more underlined here. A classical collector´s market is transforming into a luxury market.
To read more details, please visit:
Christie´s Hongkong Spring Auctions May 2013
Images courtesy of Christie´s Hongkong.
Connect us on LinkedIn: Asianartblog on LinkedIn
![]()
The Art Gallery of NSW is one of the most popular museums in Australia with more than 1.3 million visitors every year. It was founded in 1874 and has got a large collection of beautiful Asian art objects. The Asian art department of the museum is structured in several sections such as Central Asia, contemporary Asian, East Asia, Himalayan art, Photography, South Asia, Southeast and Western Asia.
View the Asian art collection online
The museum´s collection is well presented on their website. It is a great fun to browse the Asian art depertment, especially because all exhibits are structured and assorted according to region of origin, materials and type of objects.
The collection gives a broad overview of many different regions and cultures in Asia, but it is not limited to a general presentation of objects. It also comprises real highlights from differnt areas of cultural production, for example from Chinese porcelains or let´s say Korean works of art.
Links:
Browse the Asian art collection of “The Art Gallery of NSW” online or take a video- and audio-tour to enjoy some of the museum´s highlights: “Art Gallery of NSW – online tour”.
If you´ve been to the Art Gallery of NSW or if you´d like share your impressions and experiences, just write us or link us up on facebook: Asianartblog on facebook.
Images courtesy of Art Gallery of NSW.
![]()
The Asia Week New York 2013 will take place in New York City from March 15th until 23th, being carried out for the fifth year in 2013. World-renowned gallery exhibitions will be accompanied by auction sales and lectures from museums and cultural institutions.
One week for the finest of Asian art
The exhibitions in New York City will comprise fine antique and contemporary works of art from 43 Asian art dealers, mainly from Europe and the United States. There will be a supporting program with lectures and exhibitions form seventeen museums and cultural institutions. World leading auction houses Christie´s, Sotheby´s and Bonham´s will hold auctions on five days to satisfy the needs of collectors.
Asia Week New York is an important event for collectors and market observers. Hopefully, it will display the large variety of all different cultures from Asia. The combination of gallery exhibitions and popular auctions is particularly interesting in New York City. Will there be any stimulating effects on the Asian art market as a direct result of this specific format? – We´ll be observing closely…
Asia Week New York 2013 press release:
New York:
March 15th kicks off the fifth year of Asia Week New York, the extraordinary eight-day extravaganza that brings to New York a glorious array of prized Asian works of art, displayed in specially-curated simultaneous exhibitions at 43 galleries throughout the metropolitan area. The event draws an international coterie of collectors, curators and enthusiasts from every corner of the globe.
Says Henry Howard-Sneyd, Chairman of Asia Week New York 2013 and Sotheby’s Vice-Chairman Asian Art, Americas: “Asia Week is a crescendo of events we are proud to bring to New York. They augment the city’s already rich cultural holdings with worldclass Asian art exhibitions, many of which might be worthy of display in any one of the city’s top-tier museums.”
Asia Week New York unites an illustrious roster of 43 international Asian art specialists—the largest number to date—along with five major auction houses and 17 world-renowned museums and Asian cultural institutions. All work together towards a singular purpose: that of weaving Asian art into the cultural fabric of New York and beyond. “Asia Week New York is a cosmopolitan event,” says Howard-Sneyd, “so it’s only fitting that it takes place in one of the world’s most cosmopolitan and cultured cities. For discerning, in-the-know collectors, curators, scholars and Asian art enthusiasts from all around the world, it has become an essential destination in March.”
According to Howard-Sneyd, Asia Week New York launches with a private, by-invitation-only reception at the Solomon R. Guggenheim Museum. Asia Week New York exhibitions, which are open and free to the public, will reveal the rarest and finest Asian exemplars of porcelain, jewelry, textiles, paintings, ceramics, sculpture, bronzes, prints, photographs and jades, representing artistry, ingenuity and imagination from every quarter and period of Asia.
Read full pree release:
Go to: Asia Week New York 2013
Images courtesy of Asia Week New York.
![]()
Inaugural Exhibition at newly opened Chinese art gallery showing works of four artists from Chengdu, China.
Berlin’s district of Friedrichshain, known for being very popular among the young and alternative for it’s many bars and cafés, has now got a new address for friends of contemporary art.
Situated in close vicinity to Ostkreuz Station, HdA Art Salon appears to be a rather small and unpretentious place one could easily mistake for an ordinary coffee shop.
However, taking a closer look at the premises in the back will reveal it’s true mission: Introducing upcoming artists, especially those from China, to a broader German audience.
Hence, gallery owner Fengran Zhou has hand-picked four excellent painters from his hometown Chengdu in China to kick-start his new art space:
Renowned artists Ma Jie and Song Yongxing, presenting their latest art works, and young artists Chen Xi and Hu Zhipeng, whose works are displayed outside of China for the first time.
First coming to Berlin in 2001 to further engage in the studies of Asian Art, Zhou has ever since nourished the idea of creating a space to promote talented yet unknown artists: “Quite a few artists in China are very, very promising, and I’m sure the German audience would like them, too. However, although being successfull locally, to gain reputation outside their country is still very hard.”
With the love for art came the need to support the arts which resulted in Zhou becoming an art collector himself. Some of the works displayed have already migrated into his own collection.
When doors opened last Friday, the small gallery was crowded with curious visitors, friends and neighbours, impressed by the diversity and high technical standard of the art works exhibited.
Indeed, motifs ranged from political contents to very personal emotions.
Instead of promoting the gallery classic of a silent stare, people are encouraged to stay and feel comfortable, and enjoy a drink in the café, which is set up in the front room, while Zhou would eagerly explain art works to the visitors and answer questions. “To me it is important to offer an opportunity for people to talk about what they came here for: that is art. And furthermore, we are planning to organize art related events like screenings or lectures in the near future as well”, Zhou explains.
Since Chinese owned and curated galleries are, for some reason, still scarce in this city, HdA Art Salon might provide some untainted, “unwesternized” Chinese art experience for a change. Just pop around and remember: you may talk and ask questions!
First Group Exhibition
Ma Jie, Song Yongxing, Chen Xi, and Hu Zhipeng
21 art works on view until September 30
HdA Kunstsalon Berlin
Neue Bahnhofstraße 25
10245 Berlin
Germany
Tuesday – Sunday
10am – 6pm
also by appointment
![]()
Newsletter
Asianartblog Links:
Archives


























































